By: Derek Roper

Staff Writer

The sound of Owl City is the prime example of the post-modern one-man-band, comprised of just Adam Young and an unseen band, if that. Most likely “Rainbow Veins,” was Owl City’s first gasp of air into the mainstream world (Pandora plays it enough).  Their new album, Ocean Eyes, is upbeat electronic with a pop.

“Fireflies,” one of four singles, is the most popular track. The song is a whimsical-childlike anthem that lets the listener rediscover their inner child. With synthesizers and Young’s soft-electronic voice this is the first song that should be listened too, as it is very infectious. It is kind of bizarre that O.C. decided to write a song called “Hello Seattle,” when the band’s nest (excuse the pun—no, don’t) is in Owatonna, Minnesota. But, regardless, the song is an early riser and emits the feeling of morning in the rainy city. “Meteor Showers” sounds like the opening to a Disney movie at first, but bursts into a party of sound, with very romanticized vocals, asking a love to not let go.

It is questionable though if Young and company can succeed in making another album with longevity, because Ocean Eyes seems like success just for the moment – not that this is an altogether bad thing. The album is a fun listen, and that is all that matters right now.  Be sure to catch Owl City when they come to Ram’s Head Live! in January, or when they headline UMBC next February.

Comments may be sent to roderek1@umbc.edu